Sorry Giotto 9 blue hand-painted copper circle floor lamp and black iron anvil Led 1W 2700K

Luminous reinterpretation of the historic architecture symbol of Brussels, created for the 1958 Universal Exhibition. Versatile lamp with a hybrid use, with its large dimensions it can be positioned freely on the table or even on the ground, giving off a multidirectional and soft light.

A long metal rod crosses the soft glass diffuser. The evocative intensity of the simplest and purest forms for a lamp with large dimensions and a sophisticated and discreet presence.

Floor lamp with simple and elegant indirect light, Prince develops from a circular base that continues with a thin stem on which a die-cast aluminum crown is fixed which hides a high-performance LED source inside.

Luxy was the first lamp in the Rotaliana catalogue, designed in 2002: a model that is both original and familiar. It introduced elements in plastic material together with glass and metal and recalled the historical models of table lamps with balanced movements. It used both hidden springs and friction joints and, to make it more domestic, a colored glass hat that partially diffused the light in the room. After almost twenty years, the Luxy family grows: two new models, floor and table, characterized by simplified shapes, for purely domestic use. The hat, the element that most characterizes the Luxy lamp family, is re-proposed in new color variants: gold, copper, smoked.

In the tilting version, the iconic Tolomeo maintains the system of arms and springs that allows you to move the light in any position with ease but replaces the aluminum head with a balanced diffuser that softly illuminates the whole environment.

Indirect light shapes the body of the lamp, enhancing its sinuous shape and giving it the surprising appearance of a ring of light.

The colors, geometries and details such as the handle make Callimaco one of the emblematic pieces of Sottsass' Radical Design, which brings artistic and conceptual research to everyday objects, transforming them into unconventional works of art.

The structure is composed of fluid geometries inspired by botany that intertwine three-dimensionally, creating an overlap of light and shadow in the space.

The long threadlike stems of Typha latifolia, an elegant aquatic plant, inspire the supports of this lamp with a delicate, almost lyrical design. And the same movement of the plants moved by the wind returns to the original lampshade. A gently irregular shape, in opaque glass on the inside and transparent on the outside, animated by bright jagged lines.